3D Cinematography in the Cinema Art of Kazakhstan: Technological, Film Studying and Social Aspects
Vladimir Ilyich Popov
DOI : 10.3844/ajassp.2015.830.835
American Journal of Applied Sciences
Volume 12, Issue 11
The article discusses the problems of formation and study of the new direction in the audiovisual culture and art-3D cinema. The film set of the first Kazakhstan 3D film, i.e., complicated for production feature 3D film named âReturning to the âAââ directed by Yegor Mikhalkov-Konchalovskiy was the experimentation facility of the research. The purpose of the study is to conduct a comprehensive evaluation of the integral characteristic of the communicative potential-social and psychological climate in the shooting team of first Kazakh 3D movie. A comprehensive analysis of the social and psychological climate in the shooting team staff of 3D movie has revealed its positive evaluation in all the communicative tests as the best, friendly, good, close to the maximum group cohesion index, sufficient level of sociability and democratic style of leadership. The authorâs definition to the communications as a social and informative metabolism is given. The model of film production is developed by types of communications. 3D film-making technology can extend the capabilities of the communication potential of film art as a means of mass communication.
© 2015 Vladimir Ilyich Popov. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.